Founding Editor Kate Bernheimer and Guest Editor Anca Szilágyi will collaboratively edit Volume 21 of Fairy Tale Review. The issue will have a theme of food, which may be interpreted with minimal intervention. We are always looking for your best new fairy-tale informed work.
Submissions will be accepted March 15, 2025 – July 15, 2025. Simultaneous submissions are welcome (and we welcome your disclosure if you are sending the work elsewhere too, though it is your choice to note this or not). Please notify us and withdraw the submission if the work is accepted elsewhere, and accept our congratulations if so! We welcome submissions directly from authors and literary agents.
After a pause during Volume 20 (now in print in a glorious two-issue edition!), we are so gladdened to return to our routine editorial process. If you have not received an acceptance by August 15, you may assume we were unable to find a place for your work, despite our gratitude for the chance to have read it. We aim to reply to every submission, of course; this is just safeguard so that you will experience no uncertainty. We receive thousands of submissions each year and these are the most difficult decisions we make. We are grateful for your trust in our editorship.
Submission guidelines: We invite unpublished manuscripts in all forms and styles, and through the writer's artistic direction. We can consider up to 30 manuscript pages from writers. These pages can be comprised of a single work or multiple complete works. We need your submission as a single Word document; please include page numbers and a cover sheet with titles, if the document includes multiple works. We consider prose fiction, verse fiction, nonfiction, creative scholarship, and poetry; we also welcome work that does not fall neatly into any category. The best way to get a sense of the range of material we accept is to read more than one back issue of Fairy Tale Review. The website does not have archived content from the print journal on it; you can request that copies be ordered by your public library, including e-versions via Libby. In-person requests to librarians have a high success rate.
For original artwork: Artists may submit up to five high-resolution images in a single portfolio. Please be sure your work would convey to print format within limitations of the trim size. Too often we receive beautiful and moving and funny and wonderful new artwork that would be impossible to publish in the manner your work deserves to be seen (it would be so tiny in the print journal). Color printing is prohibitively expensive so we rarely can include color artwork, but give us a try if you'd like. We enjoy seeing your newest art.
For translations (to English): Writers may submit translations of fiction, nonfiction, and poetry. Submissions in translation must include the translated work itself as a Word document, a copy of the work in its source language (as published in a book as a PDF, or if previously unpublished in its source language, in manuscript form); and a letter of documentation of any permission necessary for the translator to publish the work in both languages (original and English).
Fairy tales have long represented under-sung communities and painful realities. We celebrate the power of fairy tales to represent, resist, and reflect on power, especially as manifested in patriarchy and capitalism.
Volume 21 of Fairy Tale Review will be published in Spring 2026. Contributors will receive two (2) copies of the issue and a $50 honorarium upon publication. A standard contract between the contributor and Fairy Tale Review will be sent to all authors prior to editorial and production. Fairy Tale Review is published by the Journals Division of Wayne State University Press, Detroit, MI, and is proud to be part of their Series in Fairy Tale Studies.
Founding Editor Kate Bernheimer and Guest Editor Anca Szilágyi will collaboratively edit Volume 21 of Fairy Tale Review. The issue will have a theme of food, which may be interpreted with minimal intervention. We are always looking for your best new fairy-tale informed work.
Submissions will be accepted March 15, 2025 – July 15, 2025. Simultaneous submissions are welcome (and we welcome your disclosure if you are sending the work elsewhere too, though it is your choice to note this or not). Please notify us and withdraw the submission if the work is accepted elsewhere, and accept our congratulations if so! We welcome submissions directly from authors and literary agents.
After a pause while gathering Volume 20 (now in print in a glorious two-issue edition!), we are so gladdened to return to our routine editorial process. If you have not received an acceptance of your submission by August 15, 2025 you may assume we were unable to find a place for your work, despite our gratitude for the chance to have read it. We aim to reply to every submission, of course; this is just safeguard so that you will experience no uncertainty. We receive thousands of submissions each year and these are the most difficult decisions we make. We are grateful for your trust in our editorship.
Submission guidelines: We invite unpublished manuscripts in all forms and styles, and through the writer's artistic direction. We can consider up to 30 manuscript pages from writers. These pages can be comprised of a single work or multiple complete works. We need your submission as a single Word document; please include page numbers and a cover sheet with titles, if the document includes multiple works. We consider prose fiction, verse fiction, nonfiction, creative scholarship, and poetry; we also welcome work that does not fall neatly into any category. The best way to get a sense of the range of material we accept is to read more than one back issue of Fairy Tale Review. The website does not have archived content from the print journal on it; you can request that copies be ordered by your public library, including e-versions via Libby. In-person requests to librarians have a high success rate.
For original artwork: Artists may submit up to five high-resolution images in a single portfolio. Please be sure your work would convey to print format within limitations of the trim size. Too often we receive beautiful and moving and funny and wonderful new artwork that would be impossible to publish in the manner your work deserves to be seen (it would be so tiny in the print journal). Color printing is prohibitively expensive so we rarely can include color artwork, but give us a try if you'd like. We enjoy seeing your newest art.
For translations (to English): Writers may submit translations of fiction, nonfiction, and poetry. Submissions in translation must include the translated work itself as a Word document, a copy of the work in its source language (as published in a book as a PDF, or if previously unpublished in its source language, in manuscript form); and a letter of documentation of any permission necessary for the translator to publish the work in both languages (original and English).
Fairy tales have long represented under-sung communities and painful realities. We celebrate the power of fairy tales to represent, resist, and reflect on power, especially as manifested in patriarchy and capitalism.
Volume 21 of Fairy Tale Review will be published in Spring 2026. Contributors will receive two (2) copies of the issue and a $50 honorarium upon publication. A standard contract between the contributor and Fairy Tale Review will be sent to all authors prior to editorial and production. Fairy Tale Review is published by the Journals Division of Wayne State University Press, Detroit, MI, and is proud to be part of their Series in Fairy Tale Studies.
News from Fairy Tale Review
After eight years of serving tirelessly as editorial staff for Fairy Tale Review, Benjamin Schaefer was promoted to Editor for The Rainbow Issue (Vol. 19) which has received an impressive array of honorifics! “The Magic Bangle” by Shastri Akella, first published in The Rainbow Issue, has just appeared in Best American Short Stories 2024 edited by Lauren Groff and Heidi Pitlor. Of the story’s publishing journey, Shastri Akella writes, “After facing a homophobic attack in my hometown, I wrote this story, reimagining the city as a queer utopia, so its inclusion feels particularly special”; “The Death of Alexander the Great” by Zak Salih has been listed as “Distinguished” in Best American Mystery and Suspense 2024, edited by S. A. Cosby; “What’s He Building in There” by Cat Powell was a Finalist for the Shirley Jackson Awards (Novelette category); and The Rainbow Issue in its entirety was a Finalist for the 2024 Lambda Awards in the category of Anthology. Fairy Tale Review’s long-running Poetry Editor Jon Riccio, whose work on The Rainbow Issue also deserves commendation, has a new chapbook just released, The Orchard in Lieu of A Horse, which poet Robert Carr describes as “an internal world fully realized, a queer epiphany.” We are so proud of the hundreds of authors we have published since our inception in 2005. It's been a wild twenty-year ride. Thank you, fairy tales.